ANTAR ET ABLA PDF

Request Program Info. This takes place amidst the vast and harshly beautiful desert oceans of the Middle East at time in which eloquence and integrity are prized above all possession, and the power of poetry, the spoken word reigned supreme. The paintings are rendered from the imagination of Abu-Subhi Al Tenawi , a 20 th Century Syrian master painter, well known for his traditional glass painting of epic Arabic Tales. He was trained by his father, who was himself a master glass painter of the late Ottoman period. This series, painted with oil on canvas, was created at the end of his artistic career between and

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File information. Structured data. Captions English Add a one-line explanation of what this file represents. The character on the right is called Shayboub. The inscription in the lower left-hand corner indicates that the pattern was printed under the auspices of Muhammad Muhammad Abu Taleb.

The original uploader of this image on Flickr stated that it came from the Cairo Anthropological Museum. However, there is no such museum in Cairo. However, since the photograph is a faithful reproduction of an out-of-copyright two-dimensional work of art, it is not copyrightable, as explained in the license tag below. Other versions. This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason: Public domain Public domain false false This work is considered part of national folklore in Egypt and is in the public domain as per Article of Intellectual Property Law 82 of Article of the same law defines national folklore as "any expression which consists of distinctive elements reflecting the traditional popular heritage, which originated or developed in Egypt, including in particular: a Oral expressions such as folk tales, poetry and charades, and other folklore; b Musical expressions such as popular songs accompanied by music; c Motion expressions, such as popular dances, plays, artistic forms and rituals; d Tangible expressions such as: Products of popular plastic art, particularly drawings with lines and colors, engravings, sculpture, ceramics, pottery, woodwork and any inlaid designs, mosaics, metal or jewelry, hand-woven bags, needlework, textiles, carpets and clothes; Musical instruments; Architectural forms.

This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details. The character on the right is called Shayyoub. The inscript. You cannot overwrite this file. The following other wikis use this file: Usage on ar. Structured data Items portrayed in this file depicts.

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By using this site, you agree to the Terms of Use and the Privacy Policy. A 19th-century tattooing pattern depicting pre-Islamic Arab hero and poet Antarah ibn Shaddad left and his lover Abla middle riding horses. Horemachet from Moskva, Russian Federation. Permission Reusing this file. The work of art itself is in the public domain for the following reason: Public domain Public domain false false.

This work is considered part of national folklore in Egypt and is in the public domain as per Article of Intellectual Property Law 82 of Carnby talk contribs. BomBom talk contribs. GIMP 2.

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File:Antarah ibn Shaddad & Abla.jpg

The account of his life forms the basis of a long and extravagant romance. He gained attention and respect for himself by his remarkable personal qualities and courage in battle, excelling as an accomplished poet and a mighty warrior. After defeating the invaders, he sought to gain permission to marry his cousin. To secure allowance to marry, Antarah had to face challenges including getting a special kind of camel from the northern Arab kingdom of the Lakhmids , then under Al-Nu'man III ibn al-Mundhir.

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Antar et Abla, pour réanimer la culture arabe...

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